Telling history like it is

A conversation with Professor Corinne Fowler of the University of Leicester, and Director of ‘Colonial Countryside: National Trust Houses Reinterpreted’

Equal Stages

I’m featured in a book called Equal Stages: Standing Up for Identity and Integrity in the Performing Arts, Vol 1. It’s never going to be a best-seller, that’s not the point of the book. It is going to be something which helps to inform the journey that communities and cultures need to make as they comeContinue reading “Equal Stages”

Imagining the future

In summer 2019, I was on panels discussing Decolonising Culture (Royal Academy) and Reimagining Britain (Queen Mary, University of London). Many themes ran across both these experiences, foremost among them: Each of us has a story, often more than one. Our life experiences, origins, cultural imprints and conflicts, stories of migration (whether from Grimsby, orContinue reading “Imagining the future”

Lewisham’s Enigmatic Colorful House and Its Owner

Brenton Samuel Pink, a member of the Windrush generation, purchased a colorful house in Lewisham in the 1960s and decorated it to reflect his Jamaican heritage. Despite experiencing racism, he actively contributed to his community. Pink’s life story illustrates the area’s complex history, highlighting both progress and ongoing challenges for future generations.

PUPPETS, FEMINISM AND MUSIC …

The vocal is a sample from Blossom Dearie’s ‘It Amazes Me’ recorded in 1958.   Reinterpreted here by Les Balayeurs du Desert it assumes a feminist stance, never more so that when seen with this amazing video.   Think of the compromises we often make so as not to ‘offend’ others, and the analogy with puppetry isContinue reading “PUPPETS, FEMINISM AND MUSIC …”